MySpace – Joy Marquez
Joy Marquez – Last.fm profile.

AT THE BEGINNING OF THE 90´s, JORGE MARQUEZ aka JOY MARQUEZ, BEGINS HIS CAREER AS DJ IN CLUBES LIKE NEWS AND CANTABAR, THERE IT ARE WHERE HIS TASTE IS BORN FOR THE MUSIC HOUSE, FROM THIS MOMENT JOY, KNOW THE PEOPLE OF THE WAY AND IT IS AS WELL AS STARTS OBTAINING RESIDENCES IN DIFFERENT CLUB´s OF THE MEXICO CITY, “ MEDUSAS “ OPENS TO HIM HIS DOORS TO BE A PART OF THE STAFF OF DJ’S ALONG WITH JOHNATAN BERMAN. THERE HIS WORRY IS WHERE HE IS BORN FOR THE PRODUCTION, THANKS TO HIS FRIEND RICARDO MISCELLANY, (AVANT-GARDE DJ IN THE ELECTRONIC MEXICAN MOVEMENT).
FURTHER ON JOY, IS CALLED TO BE A PART OF MX MIX PRODUCTIONS IN THE FIELD OF REMIXERS, DOING REMIXES FOR GROUPS AS: FAIR-HAIRED MOENIA, MERCURY AND PAULINA, IN 1998. IT IS THERE WHERE JOY MARQUEZ, BEGINS HIS CAREER AS PRODUCER AT NATIONAL LEVEL, THANKS TO THIS IT IS NAMED TO BE A PART OF THE RECORD STAMP MAX MUSIC EN MEXICO, WHERE HE STARTED PUBLISHING HIS FIRST WORKS AS PRODUCER OF TRIBAL MUSIC.
LATER JOY, HE MOVES BACK FROM THE TURN TABLES TO PERFECT HIS SKILL IN PRODUCTION THIS IN THE YEAR 2000 SINCE IT WAS NECESSARY TO PENETRATE BORDERS WITH THE MEXICAN SOUND, HE IS IN 2002 WHEN JOY MARQUEZ,IT TAKES AGAIN THE TURNTABLES AND TO ANNOUNCE HIS ORIGINAL PRODUCTIONS IN THE WAY AFTERHOURS BEGINNING FOR THE CLUB NEBULA, HENCE IT CALLS HIM HIS FRIEND G-MIND AND CARLOS G TO BE A PART OF THE STAFF OF THE BEST AFTER HOURS IN MEXICO (CONTINENTAL DJ CLUB). IT IS THERE WHERE JOY MARQUEZ, BEGINS TO TAKE FORCE IN THE NATIONAL SCENE, SHARING STAGE WITH DJ’S OF INTERNATIONAL HEIGHT AS PETER BAILEY, MARCELO CASTELLI, CHRIS FORTIER, JAMES HOLDEN, FOR MENTIONING SOME.
2004 YEAR WHERE THE KMA VIP OPENS HIS DOORS BEING THE BEST AFTER OF MEXICO, WHERE JOY, SHARING CABIN WITH ONE OF THE MOST TALENTED DJS IN THE SCENE AFTER “ DJ GLOCK ” IN THIS STAGE JOY, WAS THE MANAGER BOTH OF THE CABIN AND OF THE BOOKING OF THE CLUB, IS HERE WHERE JOY, TOUCHING HIS PRODUCTIONS NIGHT BY NIGHT, MEETS HIS FRIEND AND ASSOCIATE PACO BUGGIN AND SIGNATURE FOR THE LABEL RPO RECORDS WITH RICK PIER ONEIL, IN BARCELONA SPAIN. DISTINTO RECORDINGS OF D-FORMATION, IN MADRID SPAIN AND IBERICAN RECORDINGS OF CHUS and CEBALLOS-
AT PRESENT JOY MARQUEZ IS CONSIDERED TO BE ONE OF THE BEST PRODUCERS OF MEXICO THANKS TO HIS PRODUCTIONS WHO TURN ABOUT THE WORLD IN STAMPS AS RPO RECORDS, VESTA RECORDINGS, RPO TRAXX, PROJECT RECORDS, GARBAGE RECORDINGS, DISTINTO RECORDINGS, AND SOUTHAMERICAN GROOVES FOR MENTIONING SOME, AND HAVING COLLABORATIONS WITH DJS LIKE RPO, D-FORMATION, TOM SAWYER, DJ CYTRIC, WILLY SANJUAN, MARIO OCHOA, DJ FIST, DJ NOIZZER, MARCELO CASTELLI, CHUS and CEBALLOS, VICTOR CALDERONE Y LONDON 909. LIKEWISE WITH PROGRAMS OF RADIO IN SAN FRANCISCO CALIFORNIA IN FRISKY RADIO IN HIS SET ALONG WITH RPO AND IN USR USA RADIO IN CINCINATTI WITH AGENCY OF SOUND BY RPO RECORDS.
NOWADAYS JOY MARQUEZ, ALONG WITH HIS ASSOCIATE PACO BUGGIN, THEY THROW HIS RECORD LABEL “ IZAR MUZIK ” WHICH IS ABOUT THE WORLD AND INCURCIONAN AS PROMOTERS OF DJ`S IN MEXICO WITH THE MANAGEMENT “ IZAR MANAGEMENT ”.

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Oliver Lang – Official website!
Carl Cox – MySpace Proffile

With new Management under Integrity, a Publishing deal with the iconic Fabric, another season in Ibiza on the way as resident for the legendary Bora Bora and the launch of his new record label Dojo … 2009 is set to be Oliver Lang’s biggest year yet as he continues to blow the crowds away with his chunky, underground tech-house sound, combined with unrivalled enthusiasm that incinerates dancefloors the world over.

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Pablo Ceballos – Official website!
Pablo Ceballos MySpace Proffile

Being part of such a talented worldwide known pair like Chus & Ceballos , owners of the respected label Stereo Productions and founders of the Iberican Sound, has placed Pablo Ceballos in a leading position within the dj & producers’ world top league. Thanks to the quality of the tracks and the perfect blend of bottom heavy rhythms with warm, inviting soul grabbing elements Pablo has became a very respected producing and remixing master. He has lent his talent to such reputable imprints as Yoshitoshi, Shinichi, Defected or Twisted. Important names in the music industry as Madonna, Danny Tenaglia or Deep Dish have trusted on the work of the master hands of Pablo to remix their work.

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Jerome Isma Ae – Official website!
Jerome Isma Ae MySpace Proffile

Jerome Isma-Ae is producing and Djíng since 1994.
He was also the first German to have a record on US house label Strictly Rhythm (as Future-Funk, with Marcel Krieg), and his resume, while filled with work on independent labels (including his own Jee Productions), also includes tracks on Universal, Sony, Ministry of Sound UK and WEA.

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Deep Dish – Official website!
Deep Dish – MySpace Proffile

Deep Dish first rose to prominence following the 1998 release of their groundbreaking debut album, Junk Science. Since then, the two have spent their time trotting around the globe at the request of the world’s top clubs and creating celebrated remixes for some of the world’s top artists, such as Madonna, Dido, The Rolling Stones, and Brother Brown. It was there take on Dido’s “Thank You” that landed the two their first Grammy win in 2002.
Its been 14 years since the duo first met in DC, and its been seven years since they released their critically acclaimed debut artist album Junk Science. Over the years, the prolific duo have released a number of genre-defining mixed CDs and have become two of the most in demand remixers in the business. In fact, their remixing prowess earned them a Grammy nomination in 2001 in the Remixer Of The Year category and in 2002 they were nominated and won the Grammy in the Best Remixed Recording giving their treatment to Didos single “Thank You”. Through it all, Dubfire and Sharam maintain a very active world wide tour schedule.
DUBFIRE: Ali “Dubfire” Shirazinia—one half of the Grammy Award winning and four-time nominated electronic music duo Deep Dish—has joined forces with Global Underground for the April 10 release of his first solo mix album Dubfire GU31 – Taipei. The 2-CD mix set is a sweeping change from anything you would have previously expected to hear from the Deep Dish member and it features the finest in house, electro, techno, and even industrial music.
Growing up in the Washington, DC area, Dubfire spent much of his youth playing the guitar in school bands and listening to heavy doses of classic Hip-Hop, jazz/rare groove, dub reggae, new wave and industrial. Dubfire was also influenced by the local punk scene and the music of hometown bands like Fugazi and Minor Threat. Members of these bands also worked at a local record store called Yesterday And Today Records, and this is where Dubfire first picked up on the sounds of acts such as Kraftwerk, Ministry, Jesus & Mary Chain, Depeche Mode, Nitzer Ebb, Adrian Sherwood/On-U Sound and Einsturzende Neubauten. Through this heavy industrial influence, namely the sound of Chicago’s famed Wax Trax! label, Dubfire discovered the Chicago house scene and what labels like Trax and D.J. International Records were releasing.
Dubfire’s eclectic new mix is the product of his diverse past and addictive music personality, and this mix is more about Dubfire personally and as a DJ. Dubfire’s mix was compiled with tracks that he’s both really into at the moment and that have also had a profound influence on shaping his love for music. Dubfire GU31 – Taipei is laced full of gems from a diverse lot including Depeche Mode, Carl Craig, Booka Shade, Extrawelt, Samuel L Session and Nitzer Ebb. However, the biggest surprise of all comes with Dubfire’s original production “I Feel Speed”; a cover of an obscure Love & Rockets song that, for the first time, features his own vocals!
Dubfire GU31 – Taipei is released April 10 on Global Underground. Keep an eye out for April/May tour dates and several major events at the Winter Music Conference in March.
SHARAM: Sharam Tayebi mans the turntables as one half of the Grammy award winning DJ/production duo Deep Dish. Characterized by a harder style than his partner Ali “Dubfire” Shirazinia, Sharam performs as Deep Dish featuring Sharam, when he takes to the road to deliver his signature half of the distinct Deep Dish sound.
In 2006 Sharam released GU29 – Dubai. The compilation was called “a double header CD that kicks the dust outta the dance with its skywards soars, desert storming dirtiness and seductive sensuality..” by DJMAG and it was also said that “Dubai” makes you wish you were in the club enjoying it live. But even at home it’s an intoxicating experience, building from the Jazzy dub of DYAD 10’s “Sugar Sweet Thing”, to the relentless house of “Manitou” near the end of the second disc”
In 2006 Sharam also released P.A.T.T.(Party All The Time). The most talked about and sought after record of 2006 Winter Music Conference in Miami that went on to become one of the stand out records of 2006’s Ibiza session, Sharam’s ‘PATT’ (Party All The Time)’ made an apt arrival during the height of the Xmas season on Data, which is finished 2006 on a high with another club smash after its recent hits including Supermode’s ‘Tell Me Why’ and Fedde Le Grand’s ‘Put Your Hands Up For Detroit’.
‘PATT’ was a huge anthem for 2006’s Ibiza season and has been ‘front of box’ for the world’s DJ elite for several months. Now signed to Data from Deep Dish’s Yoshitoshi label, it’s being tipped as one of the biggest club records of 2006. To date, Pete Tong has played it a staggering 8 times on Radio 1 (and made it an Essential New tune), with Jo Whiley, Sara Cox, Judge Jules (Tried & Tested) and Dance Anthems also on board plus Judge Jules having spun it twice on one show alone. Heavy support also comes from Kiss (Playlist), Capital, and XFM amongst others.
A tribute to the Eddie Murphy song ‘Party All The Time’, produced by Rick James and a ..1 US hit back in 1985, Sharam, being a huge fan of the legendary comedian, originally put the track together for just himself to play. But after giving out a few copies to friends and DJs who’d witnessed the dancefloor response, the track swiftly took on a life of its own and a worldwide bidding war ensued ’ it’s since shown all the hallmarks of a crossover hit. ‘PATT’ itself is a peak time synth-driven track demonstrating once again that Sharam, like all great artists, refuses to be constrained by hype and genres.
Aside from his DJ/production duties, Sharam stays busy as co-owner, along with Ali, of Deep Dish Records, Yoshitoshi Recordings, and Shinichi Recordings. Collectively, the three labels are known for carrying some of the very best dance music in the world.

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www.CarlCox.com – Official website!
Carl Cox – FaceBook Proffile

A musical ambassador since he was in short trousers, a professional DJ since his early teens, a veteran of acid house and a champion of techno, Carl Cox emits a love of his work that is dangerously infectious. Check him when he’s behind the turntables and you can’t mistake his ecstatic visage, dripping with sweat as his head bobs up and down to the beat, his hands pumping the air whenever they’re not manipulating the turntables, his body swaying back and forth, frequently taking to the mike to share word on the latest underground tune he’s about to break. You name it, Carl’s been there and done it, but he’s never lost sight of the point of it: playing music, breaking tunes, spreading love, celebrating life.

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Stephane K – MySpace Proffile
Stephane K – Official website!

BIOGRAPHY

You know the Stephane K sound – very deep, often dark and always sexy as hell – straight from the grooviest alleys of New York City and into the world’s best clubs. Superstar DJs John Digweed, Danny Howells, Danny Tenaglia and Pete Tong were among the first to champion the Stephane K sound and made it an international sensation. What was “the new sound of New York” has gone well beyond the banks of this metropolis and is now a global craze.
There is a certain texture and mood to every track. Stephane has an affinity for good, quality vocals (but not the over-the-top diva kind), steamy percussion and twisted, tribal efx. This formula has been used time and again in the construction of some of the most popular remixes of the last decade. Stellar remix portfolio includes reworkings of Kosheen’s “Hide U”, Satoshi Tomiie’s “Love In Traffic”, New Order’s ”Crystal”, Nat Monday’s “Waiting”, Hybrid’s “True To Form”, Moony’s ”Doves”, Puretone’s “Addicted To Bass”, The Crystal Method’s “You Know It’s Hard”, Sinead O’Connor’s “Troy” and Iio’s classic anthem, ”Rapture”. Although this list features artists representing many different musical styles, they have one thing in common – these tracks have all been made into dance floor hits. Most notable are the remixes of Kosheen’s “Hide U” (which won them remix of the year at the 2001 Muzik Awards, entered the UK Top 10 at 6 and topped Billboard’s Hot Dance Music / Club Play chart), Sinead O’Connor’s “Troy” (topped Billboard’s Hot Dance Music / Club Play chart) and Iio’s “Rapture” (hit 2 on both the U.K. singles chart and on the Billboard Hot Dance Music/Club Play chart.) Beyond remixing, their acclaimed original productions including “I Love You” and “Wish You Were Here” continue to earn them respect worldwide.
Stephane K got his start in rock music. The New York resident – by way of Paris and Tokyo – first started out as a bass player in the progressive rock band E Trance and performed with the group at legendary digs like CBGB’s and the Knitting Factory. In the early 90’s Stephane was also converted by the original Sound Factory and quickly made the shift over to house music production. His first house productions came via a collaborative effort with DJ Katsu under the name Madam. Stephane later went on to record tracks with Satoshi Tomiie under the name Bipath and continues to dabble into the production of his own tracks, most notably “Numb” and “Insane Poem”, co-produced with PQM. Being an A&R man with Eightball, Creamer was quite familiar with Madam’s production ability and hired them to remix an Eightball project. A close relationship soon developed between Creamer and K, and they soon began collaborating together with a mutual desire to create vocaldriven tracks. This was quite a bold move when you consider that at the time, long, drawn-out instrumentals were the name of the game in dance music. Well, the rest as they say, is history.
THE ORIGINAL DJ STYLE
Stephane original Dj style syncs uses laptops similar to the method used by recently by perfromers such as Sasha, Paul Van Dyk, Armin, Anthony Pappa, Josh Wink, Francios K etc,- indeed Stephane has been performing as A DJ this way, and 2004 has already seen Stephane DJ in – Italy, UK, Spain, Portugal, Hungary, Slovakia, Lithuania, Poland, Romania, Bulgaria, Ukraine, Greece, Cypress, Japan, China, Taiwan, Indonesia, Malaysia, Singapore, USA, Canada, Mexico, Argentina, Dominican Republic, russia, india, sli lanka and theres more to come- in April this year Stephane showed the depth of his tribal heritage when he performed a New York Long Style 9 hr Tribal House set to a pack throng of clubbers at Tokyo’s Air Club.

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Hernan Cattaneo – Official website!

Hernan Cattaneo’s twenty year journey through music shows no sign of slowing down over right now – anything but. From Bahrain to Belfast, Singapore to San Diego, Hernan’s love laboured travels know no bounds in their trans-continental reach with the Argentinean on a round-the-clock mission to spread his love for electronic music. Constantly absorbing new sounds, cultures and influences from the most varied outposts possible, Hernan bleeds them into as many projects as he can – be they production work, his masterpiece mix CDs ,his radio shows or forthcoming music label.

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You know the John Creamer and Stephane K sound – very deep, often dark and always sexy as hell – straight from the grooviest alleys of New York City and into the world’s best clubs. Superstar DJs John Digweed, Danny Howells, Danny Tenaglia and Pete Tong were among the first to champion the John Creamer and Stephane K sound and made it an international sensation. What was “the new sound of New York” has gone well beyond the banks of this metropolis and is now a global craze.

Read more on John Creamer | Biography – Discography…

Chab feat. Davis – Closer to me (Muzzaik remix)

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